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Booka Shade
27 June 2008 15:04:06
Booka Shade

Booka Shade
Booka Shade is a paradox. They have mastered capturing bleak, beguiling landscapes that have captured international popular attention, causing the BBC to salute them for steering '€˜...electronic music away from the mundane.'€™ In four years they have produced three studio albums, two compilations, countless remixes, all whilst simultaneously touring the world. Arno Kammermeier, the veteran dance maestro behind Booka Shade, talks to Pulse Radio following over a year of touring'
Pulse Radio:Why do you shy away from calling yourself DJs?
Arno Kammermeier: We'€™re just not DJs. The concept of the DJ Kicks album we just did was very appealing, the people who recorded those compilations before were never about taking the latest club tunes and beat matching them and going from one track to the other '€“ there was a deeper musical story about it.
The compilation is a producer'€™s mix. We took advantage of a lot of studio technology to do this mix. As a DJ, just technically, you wouldn'€™t be able to do this with turntables or CDs because sometimes we pitched things up and down dramatically or reversed whole parts and put them in completely different spaces and did things you can only do in the studio.
PR: Can you describe the process of putting the album together?
AK: !K7 allowed us a lot of freedom '€“ and that was great. We didn'€™t have a lot of time; I think the whole compilation was done in less than a month or so. We took all of tracks and put them on computer and worked on them while we were, you know, sitting on an airplane or in a hotel room because we toured the whole time.
At the beginning we gave them a list with about 50 or 60 tracks and they started to do the licensing and then we tried out which songs fit well to each other. Not being DJs, we don'€™t have the experience of knowing; '€˜Hey I play this every weekend and I know that this track works brilliantly with this other track.'€™' We don'€™t have this knowledge; we had to try out everything.' It was a lot of trial and error. In the end we just gave them the master. There was a lot of trust involved.
PR: One of the major attributes of your first two albums is the way they have a sound that works in clubs as well as at home. Have you tried to achieve the same with your latest album The Sun & The Neon Light?
AK: That'€™s what we always like to achieve with our albums. The new album is a step between club play and, let'€™s say, the home listening and the live experience. When people listen to the album we want them to visualise how this will work live. The live playing is so important for us nowadays.
I think we have great song writing on the new album. The atmosphere'€™s a bit more soundtrack again, so it'€™s going to be somewhere between the first and second album, really. It has a little bit of the atmospheres from the first and the strong song writing of the second.
PR: What was it like playing with Depeche Mode in July? Anymore plans to work with them?
AK: We just did another remix for Dave Gahan, the singer of Depeche Mode. He had a new album out and a new single, which is called Kingdom. We were asked again to do a remix for them, we were really flattered.
We actually met the guy [Gahan] not too long ago. He was in Berlin and we did an interview together for a German magazine called The Groove. We met him, got together and that was a great experience - he was a lovely guy. I was a bit afraid because I am such a great fan - I saw my first Depeche Mode show in 1983, and every tour from then on, so I was afraid to be disappointed when you meet someone [like that], right?
You know, he'€™s not that hero, he'€™s just a guy but he was a very, very lovely guy and very informed about what we do which we found great. He'€™s not so much into the club or electronic thing; he'€™s more a rock kinda guy. But, yeh, we had a really good time and it was a great experience.''

 

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