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Gnarls Barkley - The Odd Couple
20 August 2008 00:55:58
Gnarls Barkley - The Odd Couple

Gnarls Barkley
The odd couple
Warner


It’s impossible to talk about Gnarls Barkley without making reference to their monster, Crazy. Those of you that scratched the surface probably also picked up their album, St Elsewhere, which was also deserving of accolades.

It goes without saying then, that a follow-up album that works on this praise and delivered, was always going to be a big ask. What we have in their new album then – The Odd Couple – is a collaboration that seems to offer more of the same, without ever reaching the stellar heights of their memorable first single.

The album opens promisingly enough. Charity Case comes in with a rollicking drum style that complements vocalist Cee-Lo’s warbling voice. Some back-up singers lend some intrigue and the accompanying tinkle suggests we are about to embark on a mysterious aural journey.

Unfortunately the following track, Who’s Going to Save My Soul? protrays what the majority of the album is made up of: plodding, melancholy instrumentation that is over-reliant on it’s talented vocalist. Dangermouse’s similar sounding bass, similar sounding drums fail to inspire the listener and ends up lost in a minimal heap – or a menagerie of unpleasant distortion.

It’s not all bad news though. No Time Soon is a daring enough number, with a gospel-choir-like focus, and Blind Mary seems to sample O.A.R’s That Was a Crazy Game of Poker in an enjoyable ode to an elusive woman.

It doesn’t stop there. Run harkens back to their old single Smiley faces, with an orchestral swing and a pleasantly plodding along Western theme. Later in the album Surprise showcases Cee-Lo’s broad sweeping vocals in a vein akin to Crazy. And interestingly enough, Whatever comes across as a reinvented Gone, Daddy Gone. What becomes disappointingly apparent however, is that the duo seem to have reinvented their old stuff at the expense of something fresh.

A Little Better does a good job of closing off the album, but not enough to remove that bitter ailment that this album seems to suffer from: poor follow-up album syndrome.

--Luke Marshall

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